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	<title>athens ga &#8211; HHBTM Records</title>
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	<link>https://www.hhbtm.com</link>
	<description>HHBTM Records is an independent record label based in Georgia. Since 1999.</description>
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	<title>athens ga &#8211; HHBTM Records</title>
	<link>https://www.hhbtm.com</link>
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<site xmlns="com-wordpress:feed-additions:1">158052196</site>	<item>
		<title>Oh-OK &#8211; The Complete Reissue</title>
		<link>https://www.hhbtm.com/product/oh-ok-the-complete-reissue/</link>
		
		<dc:creator><![CDATA[diana@hhbtm.com]]></dc:creator>
		<pubDate>Sun, 24 Jan 2021 00:08:35 +0000</pubDate>
				<guid isPermaLink="false">http://www.hhbtm.com/?post_type=product&#038;p=18318</guid>

					<description><![CDATA[Thanks to critically acclaimed reissues from Athens, Georgia pioneers Pylon and Love Tractor, interest in the back pages of the Athens scene is at an all-time high. What better time, then, to revisit another one of the city’s pioneering band, the beloved Oh-OK? On January 15th, HHBTM Records will be reissuing its 2011 compilation, the long out-of-print The Complete Reissue, available on LP, Cassette and Digital Download. When released in 2011, the LP quickly sold out, and became a sought-after release.

Formed in 1981 as a low-key project between friends, the band’s existence was solidified when local boys R.E.M. needed an opening act. Because of this, Oh-OK always felt like the scene’s kid sister, both figuratively and literally. Unbeknownst at the time, Pylon was about to break up, so Pylon frontwoman Vanessa Hay proudly passed the post-punk baton to friends Linda Hopper and Lynda Stipe (yes, that Stipe). Much like Pylon, the band would sign to legendary DB Records. Oh-OK released but two records; 1982’s Wow Mini Album and 1983’s Furthermore What, both collected here, alongside a handful of live recordings of songs that never made it to tape and two songs “Random” and “Courage Courage” which were set to be their final 7” before they broke up but were never released.

Oh-OK’s existence was brief, but the members went on to greater things. Linda Hopper formed the beloved 1990s alt-rock band Magnapop (In 2019 HHBTM Records proudly released their first major album release in nearly 15 years, The Circle Is Round), Lynda Stipe formed Hetch Hetchyand has a current project Flash to Bang Time which are preparing to release a new album in 2021, whilst late-era guitarist Matthew Sweet formed Matthew Sweet.

Though it’s a shame they never managed a full length proper, The Complete Recordings serves as a fine album in its own right, and is a worthwhile addition to any Athens scene fan’s collection.]]></description>
										<content:encoded><![CDATA[<div>Tracklisting:</div>
<div></div>
<div>Lilting</div>
<div>Brother</div>
<div>Playtime</div>
<div>Person</div>
<div>Is It? (live)</div>
<div>Here We Go (live)</div>
<div>Jumping (live)</div>
<div>Down By the Beach (live)</div>
<div>Shock [Sic Transit] (live)</div>
<div>Such N Such</div>
<div>Guru</div>
<div>Choukoutien</div>
<div>Straight</div>
<div>Giddy Up</div>
<div>Elaine&#8217;s Song</div>
<div>Courage Courage</div>
<div>Random</div>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">18318</post-id>	</item>
		<item>
		<title>Antlered Auntlord &#8211; Daniel Johnston Covers</title>
		<link>https://www.hhbtm.com/product/antlered-auntlord-daniel-johnston-covers/</link>
		
		<dc:creator><![CDATA[diana@hhbtm.com]]></dc:creator>
		<pubDate>Wed, 18 Nov 2020 22:04:12 +0000</pubDate>
				<guid isPermaLink="false">http://www.hhbtm.com/?post_type=product&#038;p=18185</guid>

					<description><![CDATA[When we started Happy Happy Birthday To Me twenty-one years ago, we did so in hopes of sharing the music of the outsider. Simple but smart, earnest but lighthearted -- bands and musicians who channeled a real sense of self without conforming to the musical status quo. People who not just marched to the beat of their own drum, but built that drum themselves. Naturally, we found inspiration in the work of late Texas poet and musician Daniel Johnston—a man more intent in getting his feelings set to tape than he was about sound quality. He understood—even if only on a subconscious level—that the sound of hiss and noise not only didn’t matter, it made his words of hope and heartbreak and fear and desire even more special. We were honored to have him perform at the 2007 Athens Popfest; his set will forever be one of our greatest Popfest performances.

Jump to 2016. We were thrilled to have Daniel Johnston return to Athens Popfest as our special guest and festival headliner. We had to provide his backing band, so we put together an in-house super-duper backing group featuring Jesse Stinnard from Antlered Aunt Lord / Tunabunny and Jake Ward and Marie A. Uhler from Eureka California. Daniel gave us some leeway and some direction for his setlist, and once settled, the band recorded it and sent Daniel a copy so he could rehearse. Unfortunately, the day of the show, the Gulf Coast was hit with a tropical depression, and all flights from Houston were grounded.

We at HHBTM wanted to pay tribute to one of our biggest influences. After some time passed, we listened to the practice recordings, and we knew what we had to do—but we knew we had to make it special. Thus we present you with some of those recordings, <i>The Daniel Johnston Covers Tape</i>, packaged on limited edition cassette with only 100 copies being made. The setlist offers a healthy mix of his classic songs and deeper cuts from all points in his career. Like the spontaneous, raw recordings of his Stress Records releases<i>, Antlered Auntlord: The Daniel Johnston Covers Tape</i> captures a moment in time from when Daniel was an “is” and not a “was.”  Any other tribute would have fallen short; Daniel was life, not death, and while his passing should be mourned, his music should never be treated mournfully.]]></description>
										<content:encoded><![CDATA[<p>Tracklisting:</p>
<ol>
<li>You Ruined It For Yrself</li>
<li>Walking the Cow</li>
<li>Bloody Rainbow</li>
<li>Come See Me Tonite</li>
<li>Speeding Motorcycle</li>
<li>Love Enchanted</li>
<li>Casper</li>
<li>True Love Will Find You In the End</li>
<li>Silly Love</li>
<li>Funeral Home</li>
<li>Fish</li>
<li>My Life Is Starting Over Again</li>
<li>Syrup of Tears</li>
<li>Living Life</li>
<li>Hey Joe</li>
</ol>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">18185</post-id>	</item>
		<item>
		<title>Wesdaruler &#8211; Dance Bii</title>
		<link>https://www.hhbtm.com/product/wesdaruler-dance-bii/</link>
		
		<dc:creator><![CDATA[diana@hhbtm.com]]></dc:creator>
		<pubDate>Wed, 18 Nov 2020 21:44:15 +0000</pubDate>
				<guid isPermaLink="false">http://www.hhbtm.com/?post_type=product&#038;p=18186</guid>

					<description><![CDATA[<span style="font-weight: 400;">Originally just an exercise for working through ideas during quarantine, <em>Dance Bii</em> is a very, very special glimpse further inside the artist that is Wesdaruler, who already poured his soul out on his debut </span><i><span style="font-weight: 400;">Ocean Drive</span></i><span style="font-weight: 400;">. This mixtape dives deep and explores police brutality, self worth, fear, isolation, self-improvement, seeking parental approval even into adulthood, and constantly checking in and checking oneself all over a 30-minute nonstop track titled “Dance Bii.” Limited to 50 cassettes and 50 CDs.</span>]]></description>
										<content:encoded><![CDATA[<p>Tracklisting:</p>
<ol>
<li>Pulled Over</li>
<li>Going Down</li>
<li>Intergalactic</li>
<li>Last Time</li>
<li>Drunk Mess</li>
<li>DanceBii</li>
<li>Extra</li>
</ol>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">18186</post-id>	</item>
		<item>
		<title>Marshmallow Coast &#8211; Vangelis Rides Again (LP / CD)</title>
		<link>https://www.hhbtm.com/product/marshmallow-coast-vangelis-rides-again/</link>
		
		<dc:creator><![CDATA[diana@hhbtm.com]]></dc:creator>
		<pubDate>Sun, 02 Jun 2019 19:18:33 +0000</pubDate>
				<guid isPermaLink="false">http://www.hhbtm.com/?post_type=product&#038;p=755</guid>

					<description><![CDATA[Some people are in it for the money, some people are in it for the drugs. Andy Gonzales (ex-of Montreal, the Music Tapes, Mind Brains) is in it for the music. In a career of stylistic left-turns and singular talent, Vangelis Rides Again is the most singular, affecting record in the career of Marshmallow Coast, a brittle prog-pop wasteland that leaves the listener weeping and numb. Everything sounds like it emerged from an empty late-night hotel lounge in decline, a dark sense of urgency delivered in a laid-back style. It's the end of the world as seen through pharmaceutical gauze. It's the most mysterious and moving record of an inscrutable career, a record as unique and warm and captivating as an unread suicide note at the bottom of a shoebox.]]></description>
										<content:encoded><![CDATA[<p>Tracklisting:</p>
<ol>
<li>Cash Out Hand Out</li>
<li>Vocal Interlude</li>
<li>Hills Are Alive</li>
<li>Chatter</li>
<li>Vangelis Rides Again</li>
<li>Mystical Shit</li>
<li>Homeless Baby</li>
<li>Foreign Denial</li>
<li>Forever</li>
</ol>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">755</post-id>	</item>
		<item>
		<title>Tunabunny &#8211; Tunabunny LP</title>
		<link>https://www.hhbtm.com/product/tunabunny-tunabunny/</link>
		
		<dc:creator><![CDATA[diana@hhbtm.com]]></dc:creator>
		<pubDate>Tue, 07 May 2019 16:32:56 +0000</pubDate>
				<guid isPermaLink="false">http://www.hhbtm.com/?post_type=product&#038;p=653</guid>

					<description><![CDATA[<div id="tracklist" class="section tracklist" data-toggle="tracklist">
<div class="section_content"></div>
</div>
<iframe src="https://www.youtube.com/embed/V9XgZIc5rQc" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe>]]></description>
										<content:encoded><![CDATA[<div id="tracklist" class="section tracklist" data-toggle="tracklist">
<div class="section_content">Tracklisting:</div>
<ol>
<li>Flowers On the Stage</li>
<li>Cotton Candy Steamroller</li>
<li>Outer Space #1</li>
<li>When We Go Out</li>
<li>Bloodstream</li>
<li>Mrs. Captain Beefheart</li>
<li>Play Dead</li>
<li>You Can Stop If You Want To</li>
<li>Puzzle Piece</li>
<li>Gasmasks</li>
<li>When I Fucked Up The Words</li>
<li>Ladykillers</li>
<li>I Miss You (You Miss Me Yes)</li>
<li>Tribe</li>
<li>Vegetable Chemistry</li>
</ol>
</div>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">653</post-id>	</item>
		<item>
		<title>Eureka California &#8211; Wigwam (7&#8243;)</title>
		<link>https://www.hhbtm.com/product/eureka-california-wigwam/</link>
		
		<dc:creator><![CDATA[diana@hhbtm.com]]></dc:creator>
		<pubDate>Wed, 01 May 2019 07:10:50 +0000</pubDate>
				<guid isPermaLink="false">http://www.hhbtm.com/?post_type=product&#038;p=573</guid>

					<description><![CDATA[<div id="tracklist" class="section tracklist" data-toggle="tracklist">
<div class="section_content">

In just under a year since releasing their last album “<em><strong>Versus,</strong></em>” <strong><span class="il">Eureka</span> California</strong> are back with a new single,  “<em><strong><span class="il">Wigwam</span></strong></em>.” The band had a set plan in mind when going into the studio: get in and knock it out and release a single to hold over ‘til recording the next full length. With “<em>Versus</em>” they went overseas to the UK and recorded at Suburban Home, but for “<em><span class="il">Wigwam</span></em>” they decided to record here in their hometown of Athens, Georgia, with <strong>Dave Barbe</strong> (<strong>Sugar / Mercyland / Dave Barbe &#38; the Quick Hooks</strong>) at his <strong>Chase Park Transduction Studio</strong>. Wasting no time, they recorded and mixed the single in one afternoon. A single on a tight budget, three tracks in under 8 minutes, hand-decorated sleeves -- everything about this is economical. <span class="il">Eureka</span> California have two brand new tracks, “<em><span class="il">Wigwam</span></em>” and “<em>Only Birds (No Feathers)</em>”, and a cover of <strong>Superchunk</strong>’s “<em>Slack Motherfucker</em>.”

&#160;

Both the band and their label <strong>HHBTM Records</strong> wanted to make a statement with this single. The current trend is labels charging upwards of $7 for singles -- they are bringing the 7” pricing back down to reality and selling the single for $3 direct and hopefully no higher than $5 in stores (can’t really control how stores mark up records). By recording, mixing, and mastering in one session, and by  getting creative and DIY on the sleeve both, band and label can let them sell for roughly cost. There was a time when labels used singles like an advertisement to get people to buy the full length album. A promotional item. No one really thought of singles as something you do to make money. So, not only did HHBTM make the single $3, but went back and marked all their back catalog singles down to $3 as well.

</div>
</div>
<iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/301628217&#38;color=%23ff5500&#38;auto_play=false&#38;hide_related=false&#38;show_comments=true&#38;show_user=true&#38;show_reposts=false&#38;show_teaser=true" width="100%" height="166" frameborder="no" scrolling="no"></iframe>]]></description>
										<content:encoded><![CDATA[<p>Tracklisting:</p>
<ol>
<li>Wigwam</li>
<li>Only Birds No Feathers</li>
<li>Slack Motherfucker (Superchunk cover)</li>
</ol>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">573</post-id>	</item>
		<item>
		<title>Marshmallow Coast &#8211; Memory Girl (LP / Deluxe LP)</title>
		<link>https://www.hhbtm.com/product/marshmallow-coast-memory-girl/</link>
		
		<dc:creator><![CDATA[diana@hhbtm.com]]></dc:creator>
		<pubDate>Sat, 16 Mar 2019 05:33:58 +0000</pubDate>
				<guid isPermaLink="false">http://www.hhbtm.com/?post_type=product&#038;p=274</guid>

					<description><![CDATA[To capture the hazy feeling of being in love, <strong>Andy Gonzales</strong> (of Montreal, the Music Tapes, Mind Brains) stylistically dove headfirst into the 1980s, bringing together the warmth of adult contemporary and the coolness of synthesizer-driven pop and New wave. Yacht rock? Such comparison may seem dismissive, but it really shouldn’t be; after all, that particular style was notable for its mixture of pleasant and relaxing sound tempered with thoughtful and relatable lyrics. And what’s wrong with that?

- <a href="https://bigtakeover.com/news/AlbumPremiereMemoryGirlbyMarshmallowCoast">The Big Takeover</a>]]></description>
										<content:encoded><![CDATA[<p>Tracklisting:</p>
<ol>
<li>Warm Bodies</li>
<li>Take You On</li>
<li>Lover&#8217;s Leap</li>
<li>K. Freeman Enslaved</li>
<li>Sinz of My Father</li>
<li>Shooting Star</li>
<li>Foxy Boy</li>
<li>Memory Girl</li>
</ol>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">274</post-id>	</item>
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